00
Opening

Mumbai, India
Working globally

00/06
2024 — 2026

Selected works
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Ugam Khetani

A composer working in film, brand & sound.

01

Selected works

Still from Mumbai Standard Time
Still from Diwali Ke Shor Mein
Still from Taskaree
Still from Special Ops 2.0
Still from Aasha
Frame from Book My Yamraj
Still from Broken Reflections
Still from Ira
Still from Moholla
Still from My Red Crayon
Frame from the Bloody Bubbly campaign
Still from The Shiva Trilogy concept trailer
Still from the Roar concept trailer
Frame from the Aladdin Dateable Bites campaign
Frame from the Dinshaw's Dildaari Battles campaign
Ve Maahi cover artwork
Mere Ho cover artwork

Who I am

02

I think about sound as part of the world, not something added to it.

I’m Ugam, a composer, producer and sound designer based in Mumbai.

I work across film, brands, music and emerging formats, developing sound from the first creative idea through to the final mix.

My work moves between composition and sound design. I’m interested in what happens when melody, texture and atmosphere begin to feel like the same language.

That begins with listening closely to the image, the pace, the space around a scene, and the details that give it character.

Those details aren’t decoration. They’re the work.

What I work across

03

Different formats.Same obsession.

I work across formats, but the underlying approach stays the same: build a distinct sonic world that belongs to the work.

Film

  • Original Score
  • Film & OTT
  • Short Films
  • AI Films
  • Micro Drama

Brand

  • Sonic Identity
  • Campaign Audio
  • Sound Design
  • Voice Direction
  • Final Mix

Music

  • Production
  • Composition
  • Mixing
  • Artist-led Records
  • Original Music

How I work

04

  1. 01

    Find the language

    The sound begins with understanding the world inside the frame.

    What does it feel like?

    What is its texture?

    What does it leave unsaid?

    From there, I shape a language that belongs to the work.

  2. 02

    Build, don’t assemble

    Music, sound design, voice and mix are not separate boxes.

    They influence each other.

    I prefer building them together, until the different layers begin to feel like one piece.

  3. 03

    Hold the intent

    I like to stay close to the work through the final mix.

    A good idea is only useful if it survives production.

    The last decision matters as much as the first.

What I’m after

05

The work should sound like itself.

Whether it’s a film, a campaign or a record, I’m interested in making the sound feel inseparable from the work, from the first idea to the final detail.

06

Let’s talk.

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Project details

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02 What is it?
03 When do you need it?

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